Why do vactrols sound the way they do?
Why do vactrols sound the way they do?
I understand that vactrols are optocouplers and their usage in traditional circuit design. What I don't understand is why they generate a "rubbery" sound in audio circuits.
Does anyone have any pointers to articles that explain how putting an optocoupler in an audio circuit generates the timbres that I associate with Make Noise modules?
Many thanks!
Does anyone have any pointers to articles that explain how putting an optocoupler in an audio circuit generates the timbres that I associate with Make Noise modules?
Many thanks!
- Mono Recalcitrante
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Vactrols explained by Scott Stites :
http://experimentalistsanonymous.com/bo ... pic=1254.0
http://experimentalistsanonymous.com/bo ... pic=1254.0
- ultrashock
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the main point that vactrols have non-linear response.
human's perception as well as most physical and chemical processes in human organism are also non-linear. far not. that why vactrol's character fits so 'natural' to what we feel and is considered to sound 'musical' without any tricks just out or the box
human's perception as well as most physical and chemical processes in human organism are also non-linear. far not. that why vactrol's character fits so 'natural' to what we feel and is considered to sound 'musical' without any tricks just out or the box
- Drumdrumdrumdrum
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They have unicorns inside! 
"There are two means of refuge from the miseries of life: music and cats."
- Author, Albert Schweitzer.
"Modular synths can take your ego out of the equation which, in music, is a blessing" - Jeremy Greenspan
http://www.cdbaby.com/cd/glennkingsleymortimer
- Author, Albert Schweitzer.
"Modular synths can take your ego out of the equation which, in music, is a blessing" - Jeremy Greenspan
http://www.cdbaby.com/cd/glennkingsleymortimer
Ummmmmm...no. It's the Cadmium-Sulfide photocell that turns off/on slowly. In fact, you can specify just how fast/slow by the part number. Also, by modulating the LED current, you can vary the resistance as well (with the lag factor built-in).LEDs don't shut off immediately when you cut the power to them. They fade.
Lord.....human's perception as well as most physical and chemical processes in human organism are also non-linear. far not. that why vactrol's character fits so 'natural' to what we feel and is considered to sound 'musical' without any tricks just out or the box
LEDs don't fade in any noticeable amount. The slowest LEDs can be turned completely on or off in a few hundred nanoseconds, while the fastest ones can do it in a tenth of a nanosecond. Most LEDs can put out a square wave of light (completely on to completely off) at well beyond a Mhz.bleeps wrote:Vactrols are a pairing of an LED and a photo-sensitive cell. LEDs don't shut off immediately when you cut the power to them. They fade. That trailing, delayed fade is what gives them their character.
Also they have unicorn tears inside.
It's the photocell that has the long response times and slow rise and fall. It's those delayed reactions to the fast changes of light from the LED that give a Vactrol it's slow "rubbery" behavior. The response times of the type of Vactrols used in synths is measured in milliseconds. That's slow enough that we can hear the difference in rise or fall of a CV compared to one that turns on and off quickly.
Basically it is adding a delay and a non-linear slew to the signal going into it. It's possible to create the exact same effect purely electronically, without Vactrols. But it's typically cheaper to just use a Vactrol. And a lot simpler in some applications. Plus people have romanticized and mysticized this antique technology and feel like it's required to get that sound. (but it's not)
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Are you only talking about the way vactrols react to modulation or about the sound too ?Basically it is adding a delay and a non-linear slew to the signal going into it. It's possible to create the exact same effect purely electronically, without Vactrols. But it's typically cheaper to just use a Vactrol. And a lot simpler in some applications. Plus people have romanticized and mysticized this antique technology and feel like it's required to get that sound. (but it's not)
Ime, vactrols filters have a sound i have never heard reproduced. Very soft and smooth.
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2nd level harmonics are pleasing to the human ear. 3rd level harmonics from vactrols/tubes are the next most pleasing harmonics ...iirc.
Last edited by krz on Fri Feb 08, 2013 3:57 am, edited 1 time in total.
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darenager wrote:simply look at the part number on the side and call them from your telephone
"There are two means of refuge from the miseries of life: music and cats."
- Author, Albert Schweitzer.
"Modular synths can take your ego out of the equation which, in music, is a blessing" - Jeremy Greenspan
http://www.cdbaby.com/cd/glennkingsleymortimer
- Author, Albert Schweitzer.
"Modular synths can take your ego out of the equation which, in music, is a blessing" - Jeremy Greenspan
http://www.cdbaby.com/cd/glennkingsleymortimer
- Tim Stinchcombe
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Vactrol filters, like Buchla 292 and Makenoise QMMG are very simple 12db/oct Sallen-Key filters that would normally have fixed resistors and capacitors, and be set to a specific single frequency. The Vactrol allows them to be voltage controlled. A dual gang pot would allow them to be manually controlled the same way, without a Vactrol.Yohda wrote:Are you only talking about the way vactrols react to modulation or about the sound too ?Basically it is adding a delay and a non-linear slew to the signal going into it. It's possible to create the exact same effect purely electronically, without Vactrols. But it's typically cheaper to just use a Vactrol. And a lot simpler in some applications. Plus people have romanticized and mysticized this antique technology and feel like it's required to get that sound. (but it's not)
Ime, vactrols filters have a sound i have never heard reproduced. Very soft and smooth.
Because the resistance of dual Vactrols, like those used in those filters, are not very accurate, instead of getting a true 12db/oct adjustable filter it's more like two 6db/oct filters with the frequency settings not matching or tracking exactly. So the resulting slope is going to be more like 6db/oct for a little range of frequencies, and then 12db/oct above that.
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In other words they actually sound like shit. We just like it that way cause we've gotten used to it.daverj wrote:Vactrol filters, like Buchla 292 and Makenoise QMMG are very simple 12db/oct Sallen-Key filters that would normally have fixed resistors and capacitors, and be set to a specific single frequency. The Vactrol allows them to be voltage controlled. A dual gang pot would allow them to be manually controlled the same way, without a Vactrol.Yohda wrote:Are you only talking about the way vactrols react to modulation or about the sound too ?Basically it is adding a delay and a non-linear slew to the signal going into it. It's possible to create the exact same effect purely electronically, without Vactrols. But it's typically cheaper to just use a Vactrol. And a lot simpler in some applications. Plus people have romanticized and mysticized this antique technology and feel like it's required to get that sound. (but it's not)
Ime, vactrols filters have a sound i have never heard reproduced. Very soft and smooth.
Because the resistance of dual Vactrols, like those used in those filters, are not very accurate, instead of getting a true 12db/oct adjustable filter it's more like two 6db/oct filters with the frequency settings not matching or tracking exactly. So the resulting slope is going to be more like 6db/oct for a little range of frequencies, and then 12db/oct above that.



