i really like modular percussion - LPGs, and short heavily exponential-enveloped blippy FM sounds, produced by envs like Maths or the PEG
but the whole hardware-based 909/808 stuff just leaves me cold. it just doesn't cut it for me any more....it has its place in retro electro productions, but i think that people have become much more accustomed to hearing shit-hot samples, where the source material (maybe based on a 909/ 808 or similar) is layered with other sonic textures, or cut up breakbeat hits, in order to add some interesting grit to the proceedings. often these libraries have also be extensively processed through choice outboard (Distressors, quality tape machines, neve preamps, valve saturation and expensive or vintage EQs) until they sound ready to sit in a modern production with little or no additional work.
that suits me just fine, as i've lost years of my life battling with bloody roland-based drum sounds, trying to make them sound more unique or characterful. for me, it's just not time well spent, as i could be getting on with the real "meat" of the production, rather than obsessing over minor timbral adjustments to drum sounds that the average listener will not notice in a million years.
i love mixing, but i now leave drums to those who are naturals at it...and that quite often goes for actual loops too. i struggle getting convincing, up to the minute drum parts that have groove, and a suitable combination of sounds. get a decent smaple pack and it's all there - the drums all work with each other, and there are many variations on similar drum hits, so you can program in interest without it sounding like the drumkit has changed completely three times a bar!
horses for courses though, and if you love tinkering with envelopes on sinewave kicks, be my guest!!
right - off to get wankered!
