Oscillators with vintage character
- Count Edlington
- Super Deluxe Wiggler
- Posts: 1155
- Joined: Sun Jun 26, 2011 8:22 pm
- Location: France
- BTByrd
- Wiggling with The Experience Machine
- Posts: 1309
- Joined: Fri Oct 30, 2009 8:43 am
- Location: The Dash
For vintage I turn to the AFG and the DPO. I usually take one of the alien outputs from the AFG and mix it together with the subosc output using a STG .mix. Vintage city. I do something similar with the saw and final outputs of the DPO and the .mix. I can't recommend the .mix enough, actually... it's got character (which is rare in a mixer) sounds great, is relatively cheap, and doesn't eat up a lot of HP.
- Michael O.
- Veteran Wiggler
- Posts: 679
- Joined: Tue Sep 11, 2012 9:44 pm
- Location: New Orleans, US
- Contact:
- exeterdown
- Wiggling with Anxiety
- Posts: 740
- Joined: Tue Sep 27, 2011 12:58 pm
- Location: Australia
Just something I've heard and read. Can't speak from personal experience. I'm still doing my research too.Steffe wrote:How imperfect is the tracking? And in what way?exeterdown wrote:While I don't think it has a Moog or Buchla retro sound all the videos of the Pittsburgh Generator I've seen sound kind of crap in a good way - haha.
I mean, almost like a tape saturation -
It won't give you perfect tracking apparently which is what turned me off eventually from making it my first choice but it's still high on my list.
- Spiked Lunch
- Massive Synth Wanker
- Posts: 724
- Joined: Sat May 16, 2009 4:18 am
- Location: Liverpool
For me, the optomix really comes to life at lower gain settings as the damp contoll has much more of an effect.Steffe wrote:Ok. I have an Optomix but I'm completely incapable of making it produce anything that's not meh! I realize that the problem is the 90 kilos of carbon-based lifeform in front of the modular and not the actual module... What setting would you suggest for the Optomix?Michael O. wrote:I find a lot of what the plan b m15 sound to be reminiscint of what I've heard of the Buchla 258 oscillators. Properly fm'd and whatnot through an optomix or borg and you get sounds that could be right out of an old Subotnik record. Of course, if by vintage you mean something more like the moog sound, then the m15 isn't exactly it, but its sine, pulse, and variable waveforms are some of my my favorite sources for subtractive synthesis.
- companyofquail
- Veteran Wiggler
- Posts: 522
- Joined: Wed Aug 08, 2007 12:49 pm
- Location: :party: abingdon va usa
- lesjamusic
- Wiggling with Experience
- Posts: 251
- Joined: Mon Sep 06, 2010 6:08 pm
- Location: Kent
- Contact:
i have one gripe wrt to the .mix
if you cram 2 VCO's into the .mix and crank the gain past noon, when you detune the VCO's you get some sidebands / ringmod effects. has anyone encountered this same problem?
also, not sure if it's cus it may not play well with a tri-core VCO or not as when i used my model 15 / vcob it distorts much sooner than when i use my AFG, for instance
if you cram 2 VCO's into the .mix and crank the gain past noon, when you detune the VCO's you get some sidebands / ringmod effects. has anyone encountered this same problem?
also, not sure if it's cus it may not play well with a tri-core VCO or not as when i used my model 15 / vcob it distorts much sooner than when i use my AFG, for instance
- reppiks
- Obscure Intergalactic Destroyers!
- Posts: 1909
- Joined: Fri Nov 12, 2010 7:43 pm
- Location: Tokyo
Problem or feature?tonnu wrote:i have one gripe wrt to the .mix
if you cram 2 VCO's into the .mix and crank the gain past noon, when you detune the VCO's you get some sidebands / ringmod effects. has anyone encountered this same problem?
also, not sure if it's cus it may not play well with a tri-core VCO or not as when i used my model 15 / vcob it distorts much sooner than when i use my AFG, for instance
I love the character that it adds past noon, which is different for different waveforms/ oscillators. It's not supposed to be clean and pure, that's why I like it.
- bassman194
- Wiggling with Experience
- Posts: 304
- Joined: Sun Nov 27, 2011 5:50 pm
- Location: United States
- bouzoukijoe1
- Super Deluxe Wiggler
- Posts: 1836
- Joined: Thu Nov 03, 2011 11:48 am
- Location: NY/NJ
- spacenoodle
- Veteran Wiggler
- Posts: 746
- Joined: Tue Mar 20, 2012 9:00 pm
- Location: Madison, WI
- Count Edlington
- Super Deluxe Wiggler
- Posts: 1155
- Joined: Sun Jun 26, 2011 8:22 pm
- Location: France
- highvoltage
- Common Wiggler
- Posts: 110
- Joined: Tue Oct 05, 2010 3:23 pm
I often hear in audio demos of vintage synths that the oscillators sound very quirky, drifting away in pitch, but not just in a slow detuning way, but like they are being modulated by noise or something. Like the saw wave had an extra layer of buzz on top of it.
And i really love that sound, it makes them sound rusty and organic.
That is one reason i can't stand digital synths. Ah that stupid clean and pure sound....
Is there any euro oscillator that sounds close to that? Or is that something i'm imagining, or is it caused by a number of factors?
I know some good saturation helps a lot, but i think it's something much more inherent to the sound.
Like this:
[video][/video]
And i really love that sound, it makes them sound rusty and organic.
That is one reason i can't stand digital synths. Ah that stupid clean and pure sound....
Is there any euro oscillator that sounds close to that? Or is that something i'm imagining, or is it caused by a number of factors?
I know some good saturation helps a lot, but i think it's something much more inherent to the sound.
Like this:
[video][/video]


