echophon - makenoise <> soundhack module on it's way

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hollowman
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Post by hollowman »

tomerbe wrote:
sgnhh wrote:so it's a pitchshifter?
echophon - a dual play head crossfading pitchshifter with saturating feedback and delay memory of at least 1.5s. can pitchshift, chorus, comb filter, detune, barberpole shift, etc. can also do plain old echos, loops and flying saucers.

my plugin +pitchdelay is pretty close to it... download from http://www.soundhack.com (freeware section) if you'd like to listen...
:bacon: :bacon: :bacon: Gotta get one! :bacon: :bacon: :bacon:
Beautiful broken machine.

hawklord2112 wrote:
then again my first two modules were a vca and PLL, wth do i know?
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pas
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Post by pas »

bodo wrote:Tom Erbe + Make Noise = :love:

While +pitchdelay is obviously great, does that mean that more is to come from your DSP algo's?
yes!

morphfilter!

this thread made my day, go tom & tony!
peripatitis

Post by peripatitis »

f@#&*@
And here i was swearing not to put anything digital in 6u :)
I've been using Erbe's objects in max and they are very nice indeed..
tomerbe
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Post by tomerbe »

apfEID wrote::hyper: :hyper: :hyper:

how well does it respond to audio rate CV?
audio rate CV on pitch shift is kind of cool... but obviously i need better evaluation then that !!!

still have a bit of tuning to do in this area... my current task is to get delay time to clock nicely to sequencers. not as easy as it seems :bang:
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Post by tomerbe »

bodo wrote:While +pitchdelay is obviously great, does that mean that more is to come from your DSP algo's?
if echophon works out well, i could certainly see doing some others. not all my code lends itself well to modular, but some would be really great. a lot of the code i've done is really heavy on the dsp usage - so i will be shopping for chips at namm.....

but sure - i'd love to see a granular vocoder or convolved string resonator!
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Drumdrumdrumdrum
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Post by Drumdrumdrumdrum »

tomerbe wrote:
but sure - i'd love to see a granular vocoder
:omg:

I'd love to see that too. This first one sounds great to start with. What's the HP?
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dogoftears
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Post by dogoftears »

ive been using soundhack plugins for longer than i can remember.
this is truly kick ass news to me!!
a real granular module!!!!
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Junk Rhythm
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Post by Junk Rhythm »

I'm excited to see this pairing. Tom's plugins have been a favorite of mine for awhile. Among the few I actually keep installed.
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Kent
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Post by Kent »

I'll definitely swing by to see this!
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dr. jacoby
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Post by dr. jacoby »

wow! really glad i'll be at namm this year! :party:
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Post by knobs. »

holy shit.
:hail:
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Madrayken
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Post by Madrayken »

'Bubbler' FTW.
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CJ Miller
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Post by CJ Miller »

Amazingly psyched to hear about this!
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Post by pulse_divider »

+1
:sb: :sb:
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nervous_circuits
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Post by nervous_circuits »

Image

Sounds AMAZING!
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pricklyrobot
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Post by pricklyrobot »

Sounds awesome.

Made me think of a more general question though. I know most delays can be made to do pitch-shifting of sorts, depending on what controls are available. But is there a reason that they pitch-shift instead of frequency-shift (or do they)? Is it the clock chip quantizing the frequencies, or something like that?
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ignatius
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Post by ignatius »

phonogene + echophon.... whoa
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Post by tomerbe »

pricklyrobot wrote:Sounds awesome.

Made me think of a more general question though. I know most delays can be made to do pitch-shifting of sorts, depending on what controls are available. But is there a reason that they pitch-shift instead of frequency-shift (or do they)? Is it the clock chip quantizing the frequencies, or something like that?
a modulated delay creates pitch shift because it is simply modulating the time base - all frequencies get multiplied by the same factor. the same thing happens with doppler shift.

ring modulation and ssb modulation frequency shift because the slope of the modulator is being added to the modulated waveform. essentially you are modulating both the time base and amplitude...
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pricklyrobot
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Post by pricklyrobot »

tomerbe wrote:
pricklyrobot wrote:Sounds awesome.

Made me think of a more general question though. I know most delays can be made to do pitch-shifting of sorts, depending on what controls are available. But is there a reason that they pitch-shift instead of frequency-shift (or do they)? Is it the clock chip quantizing the frequencies, or something like that?
a modulated delay creates pitch shift because it is simply modulating the time base - all frequencies get multiplied by the same factor. the same thing happens with doppler shift.

ring modulation and ssb modulation frequency shift because the slope of the modulator is being added to the modulated waveform. essentially you are modulating both the time base and amplitude...
Okay, that makes perfect sense, thanks. I knew the answer would be maths.:tu:
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lessavyfav
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Post by lessavyfav »

So cool. Can the pitch shift please track 1v/OCT so I can Eurorack T-ain m'self :goo:

but seriously. can it?
mckenic

Post by mckenic »

:omg:

Wow!

Just wow! My head is spinning thinking of Tom & Tony working together!

WoW!
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Denis Goekdag
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Post by Denis Goekdag »

Wow. Long-time Spectral Shapers user here.

This is incredible news.

Will this be a stereo device?
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theglyph
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Post by theglyph »

All I'll say for now is this thing is incredible! :cookiemonster:
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VomitFlowers
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Post by VomitFlowers »

Most welcome news! Making room next to my Phonogene now, very glad to hear about this! :yay:
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berfmurret
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Post by berfmurret »

_LEGENDARY_
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