MU single width VCO Ideas
- 7thDanSound
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- essex sound lab
- wiggler of the spheres
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Yes, this would be quite nice. One of the nifty things about a 1U VCO, to me, is being able to chain up a few to use as a bank. The behind the panel chaining would be great.7thDanSound wrote: Having a buffered CV thru might be nice however but it could be on the PCB instead. That way one could chain a couple of VCOs behind the panels. The 1V/oct jack on the panel could be breaking the connection.
- dslocum
- darwin's nemesis
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OK. Input buffering sound like a cool thing. Thought I might also incorporate Oakley's CV/Gate buss as it's such a cool idea. Does anyone have experience with it?
Are the rear interconnect cables daisy chained when connecting more than one "slave"?
How does the "master" VCO supply this chain?
Maybe my thinking is wrong here. Could use some help.
I also wonder if it's worth a couple extra bucks to make the VCO compatible with Roger / Brian B's triple Soft Sync module?
Are the rear interconnect cables daisy chained when connecting more than one "slave"?
How does the "master" VCO supply this chain?
Maybe my thinking is wrong here. Could use some help.
I also wonder if it's worth a couple extra bucks to make the VCO compatible with Roger / Brian B's triple Soft Sync module?
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
- darwingrosse
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My suggestion would be to not add too many things, else it becomes a frankenmodule. For example, those of us that make more "sound" than "music" wouldn't find the daisy chaining all that useful.dslocum wrote:OK. Input buffering sound like a cool thing. Thought I might also incorporate Oakley's CV/Gate buss as it's such a cool idea. Does anyone have experience with it?
Are the rear interconnect cables daisy chained when connecting more than one "slave"?
How does the "master" VCO supply this chain?
Maybe my thinking is wrong here. Could use some help.
I also wonder if it's worth a couple extra bucks to make the VCO compatible with Roger / Brian B's triple Soft Sync module?
(And here's where I contradict myself:) Sine output, on the other hand, does have a lot of value for FM purposes...
In any case, get rockin'! I need to get a bunch of 'em, and assuming the price is somewhere in line with your other stuff, it's going to be a big relief to grab these.
[ddg]
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- dslocum
- darwin's nemesis
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Would you give up TRI for SINE, or have it a jumper option?
Frankly, I -slightly- prefer a SINE over a TRI, given the option. However, I'd make the SINE like Rogers diode based sine - not as good as a finely trimmed LM13700 SINE. If you like Roger's SINE, then I can do that. If you REALLY mean _clean_ 13700 style SINE, it won't be in this module.
I DO apprecaite everyones input, and I'm trying my best to make the right musical vs price desicions.
Frankly, I -slightly- prefer a SINE over a TRI, given the option. However, I'd make the SINE like Rogers diode based sine - not as good as a finely trimmed LM13700 SINE. If you like Roger's SINE, then I can do that. If you REALLY mean _clean_ 13700 style SINE, it won't be in this module.
I DO apprecaite everyones input, and I'm trying my best to make the right musical vs price desicions.
Last edited by dslocum on Fri Dec 24, 2010 5:02 pm, edited 1 time in total.
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
- dslocum
- darwin's nemesis
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I like the idea of a -1 Sub-octave output in place of the THRU input. It's another chip, but as darwingrosse points out, I'm getting close to a FrankenModule - "Not that there's anything wrong with that!" (Seinfeld)
Any other ideas for the currently open space of the THRU jack?
Any other ideas for the currently open space of the THRU jack?
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
- dslocum
- darwin's nemesis
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Oh yeah... OCTAVE SWITCHES....
The octave switch is more expensive for the panel space, the switch, the knob, the precision resistors, the wiring and the calibration time. In addition, it limits the range that's able to be set directly from the panel.
While I don't have a absolute number, I'm guessing the Octave switch would add around $15-20 to the price.
Are you OK with a Coarse tune pot? I know that for most things, I am.
The octave switch is more expensive for the panel space, the switch, the knob, the precision resistors, the wiring and the calibration time. In addition, it limits the range that's able to be set directly from the panel.
While I don't have a absolute number, I'm guessing the Octave switch would add around $15-20 to the price.
Are you OK with a Coarse tune pot? I know that for most things, I am.
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Q-106 sine is close enough, that's what I use now. (And it is only slightly discernable from a pure sine from another ZO. ) Jumper select would be fine, too. Then it would work for more peoples needs/uses. (Cause as an FM modulator for a ZO, there probably isn't much call. They aren't really common.)
Just because you are offended doesn't mean you are correct.
- dslocum
- darwin's nemesis
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OK. How about SINE always available from one output jack, and the other output selected from the WAVE switch? Seems to solve alot of requests.
No DOTCOM soft sync option.
Buffered Oakley CV/Gate Buss behind. Still waiting for someone to clarify some questions. Help please.
No DOTCOM soft sync option.
Buffered Oakley CV/Gate Buss behind. Still waiting for someone to clarify some questions. Help please.
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
- darwingrosse
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Seems fine with me (although I'd use the soft sync option, I'm not going to be a hand-waver). I'm one of the people that would be using the sine output consistently.dslocum wrote:OK. How about SINE always available from one output jack, and the other output selected from the WAVE switch? Seems to solve alot of requests.
No DOTCOM soft sync option.
Do you have a shooting-for price yet? Sounds like I need to start saving up, 'cuz I'm mesmerized by the prospect.
[ddg]
Art+Music+Technology podcast:
http://artmusictech.libsyn.com/
Modular Synth Mastery books:
http://20objects.com
Art+Music+Technology podcast:
http://artmusictech.libsyn.com/
Modular Synth Mastery books:
http://20objects.com
- dslocum
- darwin's nemesis
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Ok. (Yeah I say that alot)
I'm _shooting_ for somewhere around $250 to $275 USD. I know it's a bit more than some other modules, but it really takes a good bit of engineering, tweeking and burn-in to get it right. I'm hoping it's a reasonable figure. As we ramp up production into the hundreds (yeah right), we could get the price lower. 8_)
I'm _shooting_ for somewhere around $250 to $275 USD. I know it's a bit more than some other modules, but it really takes a good bit of engineering, tweeking and burn-in to get it right. I'm hoping it's a reasonable figure. As we ramp up production into the hundreds (yeah right), we could get the price lower. 8_)
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
- darwingrosse
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Sounds reasonable to me...dslocum wrote: I'm _shooting_ for somewhere around $250 to $275 USD.
[ddg]
Art+Music+Technology podcast:
http://artmusictech.libsyn.com/
Modular Synth Mastery books:
http://20objects.com
Art+Music+Technology podcast:
http://artmusictech.libsyn.com/
Modular Synth Mastery books:
http://20objects.com
- essex sound lab
- wiggler of the spheres
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Cool. I think this is really important to one of the "demographics" for the module (at least it is to me).dslocum wrote:Buffered Oakley CV/Gate Buss behind. Still waiting for someone to clarify some questions. Help please.
I'm afraid I can't comment on the Oakley buss...the only VCO buss I have familiarity with is the MOS-LAB buss (which is documented on the MOS-LAB site, I believe).
- 7thDanSound
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This is my last take on this, if it comes true (or maybe even otherwise too) and will be available in .com format I'll take three!
I want everything like the graphic mockup previously in this thread with coarse tune and all except for this:
Instead of 1V CV out, I want a square one octave below.
I want a chain-able buffered 1V/CV from the input jack on the PCB so I can daisy chain modules.
I don't care if it's triangle or sine on the selectable output but I'd prefer it jumper selectable on the PCB.
Price range is cool with me.
I want everything like the graphic mockup previously in this thread with coarse tune and all except for this:
Instead of 1V CV out, I want a square one octave below.
I want a chain-able buffered 1V/CV from the input jack on the PCB so I can daisy chain modules.
I don't care if it's triangle or sine on the selectable output but I'd prefer it jumper selectable on the PCB.
Price range is cool with me.
- dslocum
- darwin's nemesis
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For discussion...
I'm planning on adding a "buss drive" output opamp follower (no current limiting resistor) and connector to each VCO. This will waste an opamp on each "slave" VCO on the buss, but it seems a small price for bussing capability! I've attached a quick / modest drawing. PLEASE let me know what you think. Is this in a spirit of the Oakley buss and a reasonable implementation?

I'm planning on adding a "buss drive" output opamp follower (no current limiting resistor) and connector to each VCO. This will waste an opamp on each "slave" VCO on the buss, but it seems a small price for bussing capability! I've attached a quick / modest drawing. PLEASE let me know what you think. Is this in a spirit of the Oakley buss and a reasonable implementation?

Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
That would be a great feature for this!
I think bussing should be a higher priority than it is in the current market. This is a good step forward.
I think bussing should be a higher priority than it is in the current market. This is a good step forward.
doctorvague wrote:I like hiding out at Muff's. Let's build a fort out of some chair cushions and a blanket.
JP wrote:Hell I want to be able to turn my toaster on with a CV trigger.
-
theinnerpalm
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- Heathfinnie
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- Heathfinnie
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Me too. I'll take at least two, but most likely three.7thDanSound wrote:This is my last take on this, if it comes true (or maybe even otherwise too) and will be available in .com format I'll take three!
Price range is cool with me.
I also prefer using the busing system instead of the 1V/Oct output, and using that output for something else (a sub-oscillator sounds tasty, but it's not a must).
- dslocum
- darwin's nemesis
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If you MULT a normal voltage output of say a keyboard, the calibrated 1v/Oct inputs will slightly load down the outputs due to there normally being a small current limiting resistor (usually 1000 ohms) on synth outputs. Since tuning is so critical and the VCOs have a 100,000 ohm input, they start dragging down the output. The more VCOs you add to the output thru normal MULTs, the flatter the 1V/Oct goes at the high end.theinnerpalm wrote:with multiple bussed together what does this accomplish?
The internal bussing scheme eliminates this current protection resistor and is therefore able to drive several VCOs without detuning. That's why there's so much interest.
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Have you thought about a bussing scheme that operates behind the scenes (behind the panel)? That way you can get the extra jack for another waveform (or whatever) and still have the 1V/Oct buffering. You could use .100 two pin headers and connectors and NC switch jacks to normal the modules together. If you want to bypass the normaling you can simply patch into the module's 1V/Oct jack.dslocum wrote:The internal bussing scheme eliminates this current protection resistor and is therefore able to drive several VCOs without detuning. That's why there's so much interest.theinnerpalm wrote:with multiple bussed together what does this accomplish?
If people buy two or three of these and place them together, behind the panel normaling like this should be no problem for anyone.
p.
- dslocum
- darwin's nemesis
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Paul,megaohm wrote:Have you thought about a bussing scheme that operates behind the scenes (behind the panel)? That way you can get the extra jack for another waveform (or whatever) and still have the 1V/Oct buffering. You could use .100 two pin headers and connectors and NC switch jacks to normal the modules together. If you want to bypass the normaling you can simply patch into the module's 1V/Oct jack.dslocum wrote:The internal bussing scheme eliminates this current protection resistor and is therefore able to drive several VCOs without detuning. That's why there's so much interest.theinnerpalm wrote:with multiple bussed together what does this accomplish?
If people buy two or three of these and place them together, behind the panel normaling like this should be no problem for anyone.
p.
That's what I was trying to show in the diagram a few posts ago. The buss would be Oakley's 3 pin pinout and internally bussed. Did I miss something in what you said?
Doug Slocum
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem
Synthetic Sound Labs
www.steamsynth.com
------------
"I guess all the Forest Mims Radio Shack books I read finally paid off!"
"I ordered twice as many _______ as I thought I'd need, only to find out that I'm still less than half way to having enough."
"...this whole thing was started by a dream and a mouse." - Walt Disney
"Flatulence sounds aren't just for brass and reed instruments anymore, thanks in large part to Dr Moog." - Ockeghem

