

It's a beauty, isn't it?
The only other Euro systems I know are the Radiophonic Four and one 60 HP system he did that was a variation of the Radiophonic Four. Can’t remember the name of that one. Would love to see more of them! STG’s stuff is definitely super high quality and, IMO, underrated.Just me wrote: ↑Sat Dec 17, 2022 6:45 pm There have been several systems built by the Suit.
They were all special and specific.
I missed buying one and don't play enough to justify the last one sold. (My favorite iteration so far, BTW.)
I have a large percentage of STG modules in my current system. The stuff is top notch.
I'm only a few modules shy of Radiophonic 4 in MU.
thank you.
my idea was that the three would have different characters. One would have the Sea Devils Filter and the .SLC, Two would have the Post-Lawsuit Lowpass Filter and .COM, and Three would have two VCOs, no mixer, and a Wave Folder. All three have been on Reverb at one point or another:Licudi wrote: ↑Sun Jan 15, 2023 12:04 pm Anyone know what an STG Soundlabs Radiophonic 2 is? Mootbooxle uses one in a few jams on YouTube.
As far as I can tell the only difference between the better-known Radiophonic 1 and Radiophonic 2 is the substitution of the .com divider for the .slc waveslicer. Anyone know for sure? And does that mean there's a Radiophonic 3 in the planning/abandoned stage as well? Nothing about these on the STG/Soundlabs website.
suboptimal wrote:... if it's music you want to make with your modular, STG should be in your system.
Thanks for the insight into the Radiophonic range. I'm sorry to hear it's been commercially unsuccessful.suitandtieguy wrote: ↑Mon Feb 06, 2023 3:35 amIn the end I think these are just too premium for the eurorack market. there are FOUR Radiophonic Ones that have been sitting at Noisebug after Alex Ball did his very excellent video about it, which is how many were there before.